Liana Nyquist is a renowned Movement Specialist, Acting Coach, and Choreographer with a career spanning stage, screen, and performance art. Renowned for her innovative and embodied approach, she has trained some of the industry's most acclaimed actors, including Michael Fassbender, Tom Hardy, Paul Bettany, Gwendoline Christie, Emilia Clarke, Regé-Jean Page and Harry Lawtey amongst others.

Celebrated for her unique methods that bridge character psychology and movement, Liana helps actors move beyond surface technique to connect instinctively with their roles—through the body, through space, and through deeply personal physical storytelling.

Born in Sweden, Liana was mentored by Dr. Yat Malmgren and Christopher Fettes, co-founders of the Drama Centre. She assisted Malmgren in his pioneering work on Character Analysis and Movement Psychology and served as Movement Director to Fettes, contributing to the development of the classical and European repertoire at the Centre.

She trained in classical ballet at the Royal Academy of Sweden and studied the Martha Graham technique at London’s School of Contemporary Dance (The Place), London. Her career as a professional dancer, choreographer and movement director includes international work with Brazil’s Cisne Negro dance company and numerous physical theatre productions.

Liana’s academic and professional career includes senior roles at leading institutions such as Drama Centre, Central Saint Martins (CSM), University of the Arts London (UAL), East 15 Acting School and Royal Central School of Speech and Drama (RCSSD), where she has shaped and lead movement on the acting curricula across undergraduate and postgraduate programs.

Her work in film and television includes acclaimed productions such as The Empress, Freud, Django, Tokyo Vice, and Shantaram, coaching actors on set and in preparation for complex, emotionally rich roles.

Through ongoing collaborations with institutions like the Giles Foreman Centre for Acting (GFCA), and through her private coaching, Liana continues to refine and share her instinct-driven approach—empowering actors to explore the full depth of their physical and emotional range.

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